Assessing the ‘mystical sense of’ the-art photography, which purportedly limitless, but its accuracy can be calculated, to make photography more contained, and not for reasons of perception, or short-term art aesthetic subjective.
There are certain figures in the calculation of the value of photography, in which and where it, an infinite sense can be expressed, in a assessment the light spectrum. Without such data, assessment of taste, becomes subjective argument, which was not identified, and it is not valid accuracy and accountability. Discussion is related to several articles about the rejection, the role of ‘science’ in an ‘aesthetic perception of art’ in general. Rejection that comes from visual perception (the perception / interpretation of the social in the end) is too subjective, containing only the specified virtual philosophy, without any end-base, so that the value of factual photographic vision is often hampered and stalled appreciation. In the assessment the science of photography, there was one small thing that contains myth (uncertainty that led to the incorrect interpretation) that can not be explained. All contain technical accuracy, and it also happens when we talk about good manners, or ethics. In fact, from the point of view of a particular social ones, in the photography, everything can be calculated and counted. However, until now, science is generally unattractive and rejected, such as the example review of a scientific explanation that I noticed: http://myscienceacademy.org/2012/08/24/why-people-reject-science/. In my conclusion, in general is: are equal, wherever, science less attractive.
In recent dialog, and reference, I understand, when the technology of photography makes people too lazy to think of the basic things that do not understand, and do not try to explore it. In the name of ‘art’ or ‘Pleasure / Hobbies’, photography tends to get a place and position of the ‘easy’ and ‘cheap’, no need to be reviewed or even interpreted too complicated. So when in this position, the ‘concept’ to ‘shield’ the safest, for further inspiration interpretation. Maybe because it was too bored and stuck to translate technical photography who only speaks in monotone: aperture-speed or ‘composition’ only, so that lead to: ‘privatization infinite art, that are personal / private’, even a ‘taboo’ and ‘secret ‘. But in fact, unlimited-art, almost all can be calculated on numbers in the study of photography, less on the development of the specific details. Even, Visual perceptions and social perceptions even though, are explored in the discussion-discussion of the science of photography further. This will be further discussion at a later stage.
A simple example that I can share, such as: selection of colors (black and white or color) to create photographs that ‘only’ of: technical data becomes vision perception. First, I specify the options started from the data: temperature measurement of light, lens selection, determining the appropriate exposure ratio, the ratio of the proportion of selection format (which eventually people would call ‘composition’, ‘but the meaning of the composition is meant’ compilation / reorder ‘-in art), understanding the EXIF data, calculate the overall results Histogram, understand BIT, all to get accuracy in proportions appropriate technical, and so forth.
The second, a rearrangement of the resulting data from the camera shooting, then define it again with the memory the vision of the brain, to the results to be achieved. These include the aspect ratio of the proportion of technical formats, colors and defining the content proportion in these results. The decision to choose a particular color orange, because the accuracy of the data derived from the temperature of light. How orange? Of course in color spectrum of the system, which did so in the actual calculation of White-Balance, Kelvin and Histogram.
Third, results photographic submission. Strength results visuals photo, is in: colors scheme fairness, and certain psychological continuously. The results will influence the delivery aspect of the content of the desired future. Big or little assessment visuals are highly dependent on the results of definition, and details data content of photography. Interlocking open and detailed as widely as possible, shy and silent-for no one who understands, or it may go unpunished, thus visual photography will ‘take the role himself’ to affect vision / appreciation / interpretation / perception of others,-it an exploration selection. And the color orange, has ‘psychic role harmoy’ certain accurately and can be explained in the figures and the impact that will occur later.
The photo above, the background of my photography work to write the data. Why?, I want to sharpen the technical photography from its main source, the light and solar energy. I want to get captured as precisely as possible.
Photography is not depending on the source the sun light only, but all existing light sources. These photos remind me how the performance and These systematic nature of light, use it, find the form of data, make calculations, and others, to get results that have a photographic contents in the right proportions. Moment with a great record, to convey the contents of photography, as appropriate. And apparently, many things I get from here, from the physical aspects of projection, to aspects of perception vision of harmony, which is very difficult to talk about and discussed it, all defined. “I do not even need to peel-paw, by the name of art, do not need to have it, because the art of photography that will belong to someone else who will also enjoy it. I do not have to think about it (which is how art or what art), because the art will appear just like a never-ending blessing. And it’s such a blessing that science is always fractal. I just need to make the definition of data and the facts first“.
Photographing, it’s easy, and this is the object of my choice, which is also easy, very common, nothing special, besides wanting to get a photographic results that contain ‘human’ and ‘silhouette’, only. The results of the big things that I always have to consciously pay attention to are: get a moment I want, and make these in great result, and deliver these appropriate content of photography. However, it should be, we have to understand first, comparison of the proportion of the technical, the actual number of data in the reference image to be used the following: (this is one way to define a, from various sources I choose to make it more easy for me to explain, and especially the reminder to my own). And definitions below are the most basic things in technical photography.
The basic performance of colors RGB (red-green-blue) of the eyes and cameras:
Natural Color Spectrum (Colour Spectrum) and Visible Light:
The Complexity of in calculations RGB figures of Mathematics and Physics:http://www.intuitiveearth.com/color_therapy.htm
RGB color metering in temperature (Kelvin)
RGB gain calculations in recording device (camera):
RGB calculations in the brain / memory: http://en.wikipedia.org/wiki/Intromission_theory#Study_of_visual_perception
The data above shows the relationship RGB related technical data on the activities of human anatomy brain recording until memory perception resulting from the RGB data. Strong and light intensity pattern has the same accuracy. Assumptions perception becomes a data processed in ‘Fractal Harmony’ in further discussion.
From here, lies the ‘mystical’ visual generally begins, and the photography is basic science projections, which are strictly dedicated to continually explored. A response will be scared or excited, like it or not, either personally or anyone else, really be measured, and that is an RGB code system. Visual Perception, Art, Aesthetics, Ethics-can be measured and assessed, but it is often being debated, because it is not encoded, and are not clearly defined and well. Intelligences becomes demands for further define the data in various ways or reference. Because of the lack of props and references presented is difficult, so often overlooked.
Linkage RGB color profile, not a coincidence that the same code in different applications. RGB specification relates to the pattern of temperature and wavelength temperature-related, and in a continuous spectrum. It’s just called the mention of different code based on the classification of energy: the force-length-high-intensity-shape-scale systems, and so on, until the function of perception and harmony, which are different, but still related. That is, when we see a red object, will have the same equivalent value in the eye-brain-camera-memory-perception-vision and so on. Red that we see should have the same red value to other people. However, there will be distorted when the process of defining the data (photographic editing process) handed over to another person (the editor), and the photographer did not participate. How red sunset light, how blue the sky recorded, only on: brain memory accuracy the photographer. And, Photographer shall define it again. Moreover, defining these contents of photography, the photographer must be involved fully.
When not detail defines the RGB code occurs in a photo shoot, it’s simple: that a huge loss. Reciprocal formulas that occur as the initial technical process: these light projection formula, will not be achieved. Events that often happens is, the ignorance, the ability of the camera that is used, the lack of accuracy calculate the temperature as a whole, less rigorous comparison eskposure count, less technical exploration of the camera itself, and others. More earned longer when, event data defining the image is simply endless: “because of this: Art”, “Like” or “Do not Know”. However, actually not so, try to ‘look back’ closer, or ‘projected back’ with more detail and more carefully, in what recorded in the photo. What about the the Code of Ethics or the Norms? Vision, Aesthetics, and the Arts? Can be calculated? Think more sharp and sensitive / focus, in the study of photography to explore it. We must not forget, for the initial projection formulas was: Object – Projection – Focus, and: “We got it“.
One thing is easy, for example, by looking at code color data, (kelvin to psychological harmony) to understand Visual Perception that would affect the Social Perception. Psychology of Color Harmony, related to the understanding of perception other visual arts. And in fact, photography is the closest projection of that, in our lives. It is a journey and a very close and real and impact to a lot of things like social interaction. Vision defined as a separate formula that can be assessed and calculated. So, photography is a technically accurate data.
Two simple examples of the photos below: the first is of course demands, capture the moment with a point of view that I want. However, the suit would have been more complete if the overall technical photography can be defined with precision. Photographing with minimal light or strong light is the biggest problem in photography. Capabilities equipment of photography, will determine the image-acquisition projected object. This problem has affected the value of equivalent ability of our eyes to see / notice, decision / desire brains get a moment, and the performance of the camera accordingly. Consideration of equivalent value to the right decision is a very fast process for the conquest of the necessary technical photography, and it happened in ‘one-click’ or ‘a blink’ to acquire ‘one precious’ of the moment.
I refused to assessment photography result, when juxtaposed ‘luck factor’, which is often mentioned in revenues resulted from recording the moment: ‘precious one’ is. I appreciate and value all results photography (from anyone) began the conquest of the appropriate technical and rigorous in ‘the blink’ to get ‘precious one’ is. Value of Perception Aesthetics Visual Art or relative ‘worth’ was even then, not a value ‘extremely valuable’ which can not be defined the numbers. All can be calculated, because photography is a real imagery.
Rollback to technical advance: the seeing eye, the the brain wants, and camera determines the recording. I always vote, using data selection always NEF / Raw, due to very high range histogram area. It was necessary to adjust what the eyes see and brain will store up to photo printing. The lack of lighting at the moment of the above will result in: unfocused blur-under-exposure. Use ISO too high resulting ‘pixel’ slightly dilated / broken. Diaphragm, certainly can not be too ‘small’ or a big number, but I want a broad perspective on a 18mm lens on my Nikon D40x. Taking the point of view closer to the use of semi-telephoto lens (DOF be too cramped)-less profitable, because objects in low light and overcast early morning. White Balance, to be determined from the beginning, choosing the average value of each area (the darkest and brightest area) and locked it. See and observe with certainty, the shape of the object and the plot: a cloud-umbrella-man-all, into a unified pattern appropriate, in the view finder. Taking the point of view of a little down (frog-eyeview), for ‘stealing’ the value of a strong light from above (clouds / sky) to make it easier to get exposure and focus locking. And finally take a decision in moment, “one-click-the blink ‘, the’ blind ‘moment. As quickly as that all.
However, how the proceeds of photography, with the position of the object, which is great value of light, extremely strong? In fact, sometimes the camera was not really able to get the equivalent value technical accordingly. Sometimes even the best lens loses its focus accuracy. Even our eyes were forced to surrender to adapt the value of the real exposure. Color temperature and ability of the camera, into totally out of sync at all, but without looking at the view finder, we see the object in a state of clear and fine value equivalent light. Our eyes are almost never seen an object into a silhouette at 100% black or dark. Normal eye also no Vignetting black gradations, from the source of the sun light, to corner of the sky area, the resulting image on the frame. Either there are the under-normal-over on the light meter, or color metering.
Options in: color or black and white, is the initial energy that will be developed later on. Probably not too affected to the both photos above was looking silhouette. However, different from the photos that show a person’s face.
I no longer need to clarify the understanding of the two photographs in detail here. The intensity will be obtained on the intensity of the vision to see and observe, and it’s a long process. Photo effects color or black-and-white, artifacts on the normal rules and fairness in a system RGB code of the object itself, from: camera-eye-brain-memory-perception to analysis and assessment so on. Of technical projection, into vision perception to harmony, all is in continuous series ‘ratio of the number code of conduct’ and ‘assessment aesthetic art’, which can be calculated and defined. And this is the original art that comes from photography in the study of photography itself. From ‘how to see’ to ‘perspectives’, of the ‘technical’ to ‘perception’, and it is the projection formula.
One example where the value of the vision of photography into a visual energy when we make final decisions convey was contents photography:
“The strength of reciprocity energy, from the perception of value appreciation / interpretation of photography, can be calculated / determined by the sum of the values of light (spectrum) that goes into the brain-our memory, of the total value of strong colors / acquisition of light on the photographic work (in ‘EV’ / average acquisition value). Locking (focus) the appreciation, can conducted when we are intelligent, define the contents of the photos. How colorful, how black, as well as the definition of what, that happens / naturally in the photograph.
When the image is in color, the colors the consumption range, that consumed the eye and the brain, will be broader-global-wide circular. Than when, black and white, range ‘colors’ that consumed the brain, tend to be monotonous in one line (vertical / horizontal in one gradation), and more locked in strong light characteristics (temperature) black / white itself. And it’s all going to affect the mutual appreciation / interpretations of others’.
All the light is not absorbed by a prism, even black light, separated out into a continuum of different wavelengths or colors. The speed of light through the media is a function of the wavelength. When light passes through the surface at any angle other than ninety degrees, it causes the beam to spread. Black light (or ultraviolet light or UV) is part of the electromagnetic spectrum is divided into ranges from cosmic rays to radio waves. Visible light is a small part of the spectrum and has wavelengths between about 380 and 700 nanometers. UV wavelength range (1-340 nanometers). http://www.ehow.com/facts_5689782_happens-light-put-through-prism_.html
That means-is naturally, black and white light spectrum, it has greater coverage-monotonous, easily identifiable yet solid, basic colors that require adaptation of time, vast infinite, ‘locked / stuck’ linearly. Black, I would not call it spectrum (photon) in visible light, while the white is a mixture (base) visible light. The power of interpretation of black-and-white photography was a ‘prisoner’ in the brain / memory / vision of our anatomy, so ultimately the appreciation that occurs can be calculated. And automatically, the intensity of the process of translating technical data will be longer and deeper interpretation value. Back again, how black and white photography, will be a technical ‘mystery of play’ to the appreciation of the memory / vision. When creating a black-and-white photography, also automatically, the process time will be relatively longer, and the appreciation would be relatively long period of time.
However, visible light, has a light spetrum circular structure, which can affect each other or opposite. Basically, visible light complementary, forms, and binds one color with another color. And it resulted in the appreciation of the extent of embracing the power, the freedom to build the narrative, and so on.
“All that physical influence electromagnetic spectrum of light that naturally also influences the psychology / vision. Uncertainty perception of vision, also because it does not focus on technical definition of photography as a whole.”
i see you…
and i will BIT! you….
I use red color data calculations, the kelvin, to gain / affect data psychic red too,-in the brain / memory. Completing the data contents with a title and played the character of some of the letters, to lock interpretation / appreciation of the narrative.
Analysis of the object: Focus-Red-Eyes-Face-Dental-Festival-Bali-expression.
Analysis of the event: It was, in a festival of art, I see the subject (person), I was interested in, ask permission photographing, he too is happy, then he is in action / expression, and I took pictures.
Analysis Interpretation: i see you … (see narrative: the power of the eye) active: see, passive: watching, and i will BIT! You …. : Bit-bite (in computer): bit-bite-byte: Data-meaning itself. This could mean connotative also for a specific purpose. “I’m watching you, and wait ‘a bite’ from me”, OR it could be: “I have your attention, and will give you something Data / Science, to you”.
Confirmation of an exclamation mark ‘!’-Serious / assertive, and three dots “…”-sustained, has multiple meanings (as unfamiliarity pattern / characteristics sign language itself).
Application Analysis: Red, surely dominate, because naturally, the most powerful red color temperature: Strong-length-shape-high-intensity-scale lighting systems. What will happen?…
From the title and narrative, of course there is specific purpose, to what / who it really means fixed (and it was a secret at least, because I did not mention the name / specific purpose), and so on. And all I have to say this, is at the limit of my own. What happen if people use it for the benefit and specific purpose anyway? Is the interpretation / appreciation would be the same?
However, these analyzes are still at an early stage, we can not stop, given the projection formula is: the law of reciprocity sustainable. For example: an object will be subject to when in photos, images projected into visual perception, from negative to positive, from stationary into moving, from silent to a million languages, and so forth.