Photography is an Accelerated Optical of Eyes

Acceleration of our eyes are incredible! but remains bounded. But the optics, the human eye functioning for visual purposes, these are all related to the factors, namely: the Power of Light. Light and eyes, are two elements that one and can not be separated. Light, has a solid role, in the unity of many color spectrum. Here, I am not talking about the re-definition of what light is, or how light is used for photography. I tried to make it trigonometry schemes, below. All light is needed in the process of photography, and has a degree measure of the strength of each gradation (in color metering / temperature). When there’s no light, meaning neither will happen: the photographic process. eyes have a significant ability to enter an average speed of light through the retina-pupil, and that there is a limit. Likewise in the photography itself. Photography only pick one moment, in one right time, in order to get one detailed recording angle and intact. Only one of the best just like in the blink of an eye!

Image

Eyes velocity, there are limits, though very flexible. Ratio comparison, located between the distance and speed of the object should be recorded. When the object is too close to the eyes, and there was a relatively rapid movement, eyes can not see the object appropriately. Or when the object is too close, it will be out of focus. Three main factors are: Distance, Speed as well as Strength of light‘, become basic technical physical ability of the eye – optics and normal recording tool. And it’s technically required proper synchronization.

Basic of Prjection Factors

3 Basic Formulation in comparisons Eye and the Mind / Brain Memory:

( On Colors and VisionTeory)

Image Projection:

Visual Preseption / Intromission Theory :

From: Object – Projection – Image.

From: Brain – Projection – Result.

In this system the basic theory of the recording instrument performance with eyes synchronization, which uses light and visible light spectrum, direct (physical) / and a selection of tools.

Visual perception is the ability to interpret the surrounding environment with the processing of the information contained in visible light. The resulting perception is also known as a vision, or vision (adjectival form: visual, optical, or ocular).

1. Light become a material factor basic recording. If there is no light factor, there will be no recording process. There is no direct projection images, in comparison to normal eyes. Defining technical lighting, become a reference to obtain the basic theory of ‘color vision’. Performance of the reference eyes gain recorded all the basic theory.

1. Memory factors in brain recording a differentiating factor, because the spectrum is a mathematical representation of the reset value (color details, dimensions, etc.) is stored directly into the memory of the recording. The memory has to be raised again to define the recording results. Memory in the brain, a ‘light inverter’ back-projected from the inside, to get a real object singkron comparison accuracy.

2. Factor Range Distance. Detail object to be recorded, it is associated with a range of object distances with the eye. The range of distance is become basic reference for selecting the range of dimensions of focus and selection of the appropriate optics. In this area also determines the quality of the preliminary calculations needed strong light.

2. The ratio of distance factor, recalculated, to achieve the format / medium most appropriate (eg, the ratio of the length x width) in the eyes of the optimization viewpoint. This became the basis of a ratio of the proportion of preferred-format photographic results, which will be displayed to make the presence of a particular representation.

Depth of Filed

Depth of Preception

3. Speed factor. How eyes catching objects, located at one focus of particular interest, in the span of a varied and very fast. A comparison of the exact value of the composition to be calculated, to obtain choice: how long recording time to obtain how strong / big light is needed.

3. Precision factor. To bring the focus lies ‘point of interesting’ to the main object is the result of photography. Here, the essence of the ‘quantity’ which was originally a technical option in recording devices, the essence of the ‘quality / accuracy’ will be the delivery method of choice was the result of technical options.

“I tried to define the projection of factors: the formula triangle, the photographic reciprocal formula, and it’s what I call become: Three Factors Toggle (inverter), more span the ‘hierarchy in psychophysics. Shuttling back and forth due to the three factors are interrelated and continuous cross.”

An electromagnetic wave consists of two waves of oscillating electric and magnetic fields. An electromagnetic wave running in the direction perpendicular to the direction of oscillation of the two fields. In the 19th century, James Clerk Maxwell showed that, in a vacuum, electric and magnetic fields satisfy the wave equation both with speed equal to the speed of light. From this emerged the idea that light is an electromagnetic wave. Electromagnetic waves can have different frequencies (and thus wavelengths), giving rise to various types of radiation such as radio waves, microwaves, infrared, visible light (visible light), ultraviolet and X-rays. Contained in the electromagnetic spectrum and radiation theory. 

Image Projection Basic Formula

Scheme synergy projections, to show the scope of the performance of the eye and the camera. It shows the visible light emitted and the scope (RGB) is very small which created a ‘visual disturbance’, and RGB systems must know more details. Photography in general agreement, is a system of recording light (RGB) in the human eye optical synergy. Define a scheme to facilitate the discussion and talk in the basic areas of photography to projection effects will occur, either study physical and non-physical.

The scheme was to demonstrate and simplify how mensikapi process of acquiring a technical moment proportional to the fullest. Simplify the process of editing of the camera to the desired result. In the above scheme can also be obtained lines of visual effects to visual perception, and so forth.

This scheme is also to facilitate defining the content and proportion of a work of photography. Depth and extent to be defined and the effect it will have a perception-the perception of others. So that it can be understood that photography in general is about energy-related technical pendefinian closely and directly with human life.

Image Projection Basic Formula

“Until my data show, still under development, and continuous research, related to the photographic work. Description and application globally I’ve been able to use it for the presentation of photographic works quite complete. “

 –

ONE blink of an eye:

An interesting thing to me in the photographic process is: ‘the blink of an eye’. This means that, in a blink, your eyes do not get input / projections of light and dark. When we decided to do the recording, the ‘one-click’, we are completely blind for a moment to record / freeze the a particular moment, and continue to see / record the next moment. That means, when we are freeze the / record and get a moment / object that happens, our eyes have never seen / witnessed firsthand. One blink, needed to save: record object / moment / memory. ‘One precious’, which is derived from interest / intentional focusing on a single point or a random extensively, and then frozen / recorded by the ‘one blink’, by not having to look directly / blind shortly. Then, if possible, without a blink, we can record and store the object / moment seen / projected?

In the process and obtain ‘one blink’ is, then a big factor, how a photographic results will be seen and represented. And it’s very complex. The dominance of only one particular factor (from the formula: 3 projection basis), will have great impact on the delivery of the final result. ‘One precious’ from the ‘one blink’, which must be obtained from the physical relationship optics of the eye and vision brain memory, it will be a very personal thing, but scientific (afterimage theory?)

One blink of the eye, the ‘blind’ and not visible. There is no concept of there, because we did not see it and just wanted to see the results afterwards. All that is certain about “recording of detail: whether liking?”. This is where all of the new problems will arise:

1. Factors: Light >< Memory.

2. Factors: Distance range >< Distance Ratio.

3. Factors: Speed >< Precision

Linkages three factors influence each other. Light factor, could be influenced by the speed, or precision. Precision factor, influenced by distance ranges, crossed continuous, and so on.

Let us return again to the optics of the eye we (humans). Here, it is clear that we have a certain range of dimensions are calculated – mapped. All based on the average angular clairvoyance. Our eyes do not have a format that contains: its length and width of a certain angle. Not even in the calculation of 100% round / circle or oval particular. Then where it comes from a ‘rule’ that the composition format originated? Why was the composition of the 2/3 of the rectangle or square, or something else? Should be horizontal or vertical? Where are its origins? 

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