In assessing a photo, or just observing as reference, often unwittingly disturbed our appreciation to things /’world’ -something new, and we have never seen / know, before. Positive value is, makes us want to get there, to that place, to admire, to make our own photographic work. However, there are more negative values (light invisible portion wider than visible light), and it will affect the appreciation of many things such as: excessive amazed that appreciation we often become disproportionate. Assume the new / photograph of another person, is, worth more than this (moment) that we see everyday, or photos that we have.
This unconscious, making the value of factual photography becomes increasingly can not be identified. This challenge is great for photographers to gain more and more diverse objects and moments. Improving the quality of experience ‘flight hours’ and expand the reach of the location of ‘hunting’. This is a mandatory keyword.
Look in detail, how we work with photography, a visible light that uses 10% of the total electromagnetic spectrum. It may even be less than 10% accuracy RGB light that contains the code, that was very little percentage. A reality (the white light) within + / -10% RGB! And the rest is the ‘the world of darkness’ that invisible light, that can not be seen by the human eye.
Reality, the positive image (there are / same), both clearly understood or meanings behind words, to translation, or defining it further. However, in photography, positive image is also derived and originated from a negative image, and the image an everything can be kept projected, each turned, filtered, distorted, even hidden. technically, all of it must be understood of the basic performance of the projection itself. The reality is an the resulting image on the recording process, the projected performance of the formula, and ‘transferring’ to a specific medium. Obtained photographic reality, because of the presence of photographers there, and engagement factors: the object, the eye, the camera, the brain / memory, take a direct role, when it all happened.
Proportions, means procedures comparison (ratio) that contains the value of accuracy. Processing the proportion of lighting, the use of recording equipment, its definition, to printing in a medium. More The obvious, these proportions are built and shaped by reality. The situation is actually to be conveyed then, that the more detail to be defined everything. The proportion of the lighting, the proportion of the reality on the event, and all involved in the moment (the object in the photo), and the proportion of a specific format display (re / interpretation), is the most widely discussed and reviewed constantly. Proportion, is not being used to provoke an object / moments involved. Proportion in photography early in technical terkonsep: under-normal-over in accuracy lightmeter / colormetering to interpretation. Farcical on an image results, closely related to the performance of the fair an eye to see it.
Perspective (Angle), the conscious technical, involving how to see, we / photographer in capturing the moment decisions, whereas the non-technical, will involve aspects of ‘how to assess / way of viewing’ in many ways, such as: ‘joy ‘on the photographers themselves, the object / subject, up to others. Perspective can be examined from the angle, the view finder, point of interest, norms, a certain aesthetic, and it could also mean the involvement of many of the ‘code of ethics’, that talked about a ‘perspective’ to the ethical philosophy’s particular norm. 360-degree spin in the area is a technical point of view that can be covered, and choose from a certain degree necessary to maintain the level of boredom eye to see. Point of view also involves aspects: ‘where we stand and to see’ objectively. That is, these projections could be: ‘what we enjoy and view / appreciate’, subjectively.
Where did it come light, and what is light?
How light come from? Where light is lost and gone?
How do I catch light? For what (why) the light was captured (frozen)?
If light is captured, how to release the (using) back?
If there is visible light, there must be invisible light,
If visible light is ‘white light’, the invisible light is ‘black light’.
A projections of nature (‘white light’) will be enjoyed through the eyes,
The impact projections and other projections as well (‘black light’) to the memory of our brain.
There is a natural projections can not be seen directly by the eye (energy).
However, the natural projections can be felt, even when the eyes are closed.
If our eyes view spectrum of light directly (10%), the brain-memory memory are influenced other electromagnetic spectrum (90%): in the calculation of a certain degree of temperature, and frequency / sound.
If the eye sees a visual projections, identified the RGB,
then we talk about brain-memory visual perception, the identification of non-RGB.
10% we obtain the projections visible light (RGB) in photography,
it will be projected 90% invible light (non-RGB) is not photography.
If we allow, silence, and remained mute value of 90% of invisible light, then the value of our photography factual contain only 10% appreciation.
But previously, from the beginning we have to agree to understand together, that photography is a technical standard ‘which was’ first,-before developing further. One photo / image / picture, and the only one produced from recording all the basic tools of photography. In: ‘one-click’, – in a press release the decision process, the comparison of many and strong lighting, for one frame. Recording with visible light (RGB), using either film or digital. Then further processed to be used as a presentation of a specific of the photographic work.
To date, we have not been able to talk about dual-lens camera technology (stereoscopy-camera), infra-red camera / ultra-violet, gamma, betta, and so on, that still not popular. Here, too, did not discuss a photographic ‘multi-exposure’,-one frame at a lot of the lighting, was a different discussion, though lighting is also called the results, but was technical or other basic videography. Not in the discussion of photography ‘sandwich’ or montage. Most easily see was all is the anatomy of our eyes, and make a single recording in focus ‘a blinking’. Maybe, if the camera-stereoscopy, already popular produced and used, it may would more developed discussion of photography, because the recording performance approaching the performance of the human eye.
This is not a philosophy, but a review the energy law in photography, in the electromagnetic spectrum associated therein, and photography that valuable factual, straightforward, not contrived, not reinvented again (added / digital imaging), not manipulated, especially plunging value of factual that contains the code of knowledge inside. Photography is the result of the performance of + / -10% that RGB visible light. Using RGB to shoot that uses a single lens. Defining the acquisition value of accuracy and the contents therein, obtained in ‘the blink’.
Energy in visible light,-RGB / ‘the white light’, have the effect of continuous linearly related (global / in circulation 360 degrees) with a ‘black light’ – invisible light / electromagnetic radiation / induction (such as infrared camera) and so on, that affected the physical or non-physical. And coverage of invisible light up to + / – 90% of the total electromagnetic spectrum-almost 90% impact to non-physical. From the photographs, that first: ‘blind’ and ‘dumb’, being complex communication and becomes an appreciation / interpretation / vision. Blind and dumb, is the definition of the content of the impact of photography in + / -90% of invisible light or ‘black light’. And all of that happens, when we managed to conquer technical photography.
Above schemes, to make it easier the way to see, how the photographic process occurs. Why photography is ‘the white light’, that is only visible energy: + / -10% only. Where the projection formula begins, and related anything in it. Linkage of human anatomy: the eye and the brain-memory and object, has a complex, when we conscious that there are: + / -90% of invisible light, ‘black light’, which can not be identified by our eyes, by recording tool that we use , that dumb, and so on. Such schemes may also make it easier to interpret: from the point where we want to put a proportion-fill our photography, and projected impact is going to happen next. Creating definitions and calculations in the effects of physical and non-physical. All of this for sure, because they refer to the energy formula of the universe, and all of it: Real.
Photography, contains: the investigation of recording:
The key to define a content, in photography, is derived from an investigation, in the recording and the moment that happens. The term to ‘freeze the moment’ is the uniqueness of the visual system of photography. Videography cameras capturing the moment, it would be easy to define, because the contents inside more fully, including the definition of the sound. That means, videography not only use + / -10% visible light only. Video produces and uses energy spectrum elektromganetis percentage whose scope is wider and wider. However, in photography, choosing a moment, just a photo frame, is always going to be the focus of attention, focus, source of conversation, and appreciation of,-the most complicated, only + / -10% visible light that is encoded in the formula RGB.
Major problems in the photography is interesting: why the moment was chosen to be frozen? Center of attention means a source of focus: information, science and of knowledge. The key to initial definition can be a way: “Take a closer look and more details, Looked longer to understand. Defining the details of the shooting that contain factual information, describe of knowledge, and develop there will be many new things. This formula can also develop into: to see wider, faster technical decisions, and make the shooting.”
Knowledge, or science, is the most difficult, because here involves defining, investigating, and experience, which will be a memory / vision and deep appreciation. But it becomes very easy when we understand that the actual science / experience / memory / vision is available from the moment the recording itself-basically. Much information can be obtained by: ‘projections’, from within and from outside the recording itself. It’s all about ‘the dumb’ and ‘the blind’ in one frame. If we know, tell the information, if not know yet, find sources of information on the surrounding (environment), until a solid reference. Information is often the case when we are actually deeper: ‘view projections’ of detail the results of the recording. How? Try defining of detail is technically correct to first through a process of ‘editing’ (developing process) careful, and do not be hasty. Locking perception and content, that photography is a technical and knowledge, and in his presence was made like that, it is a fairly easy process. We do not need to look beyond definitions contents fabricated and exaggerated without any intersection. Just 3 basic keyword content of the image, ‘search engine’ internet will give you lots of information and further references.
Likewise with: Take a closer look and more details. Getting closer we record the object, the more detail, and the broader scope of information. Details for greater is built from the observation that very quickly. Linking objects are about to be recorded, because of the observation that for a moment, the preparation, and purpose. The use of lenses with a suitable proportion, becomes a key determinant. Getting closer we can see, the more we earn. Presenting the moment because it was our presence there, and of course, as we get closer, the details will appear as well, even by itself appears eventually. Horizontal projection, is the most close to the performance of the optics of the eye. Perhaps, at first we did not know what record it, but longer observations, and decide in the calculation of ‘prediction’ is the process of synchronization events technical and event / moment / object.
Looked longer to understand it, is a process of observation and calculate everything-with continuous and very fast to get captured. Why and what is interesting, is a ‘visual interference’ in the eye that had to be translated. The decision holding the camera to take pictures, because of visual interference earlier. The decision to record the moment, is the act of releasing ‘visual interference’ is. Once we later to decide, which happens only: ‘oooppsss …’, the moment has passed …, – “should I take it, was”, and so on …, like speech: Henri Cartirer-Bresson, about: Desicive Moment famous. This provoked a lot of photographers to want to repeat the behavior, and get the missing moment, or at least has become an experience. Looking because of interest in something, to understand for those moments, and how to decide, is a relatively very fast. Right proportions, will describe the knowledge to all of that.
The big question is: Why do we choose to record in one picture / one frame? Why do we ‘photography’, (and not choose video / or others), and always carry a camera to Everywhere? Projection is the basic definition of any content and visual moments, which happen all the time, a ‘interference: visual and vision’ in memory of our brain. Is it because of: Interested (disturbing visual / vision) is? Want to keep it? Want to relive? Admire it? Want to ‘get there’ and have it? Because just like and just a fad? Just for the day-to-day work? Or, is there another reason? Building a: Concept? The reason ‘because of Art’???