EGGoPollutant

Source of Dogma

Searching for many of the most fundamental question of life. Make lots of definitions and meaning from the beginning and origin of issues. Sorting out one by one, peel gently and carefully. Looking for data and references to be used as a guideline. Back to the early origins and process all occurrences into a flashback for later translated again in the future. Elaborate many ambiguities in the definition and meaning are increasingly blurred and distorted randomly into many directions. Finding a source for later channeled into a new reference and becomes: Dogma.

 

Photography, among the ‘Fine Art’ and ‘Contemporary’

Photography of the ‘Fine-Art’:

Before the terms: ‘Solargraphy‘ that became ‘Photography‘, using combinations of words: ‘photography’ and ‘fine art’ – is probably the most ancient appearance. That may be because the artists-visual art, want a definition of ‘fit’ for art activities for them. Among photographers may also be divided into two, the photographers who want a rigorous science and who want practicality alone. Photography developed and used predominantly for journalists, even though in the beginning, developed by the artists visual art, and other scientists. Thus, the definition of early photography very identical with journalism, namely: only recording moment (event) or object. Photography-fine art, is the designation for artists art with fine art / visual art, which use certain recording devices. While the ‘fine-art’ for the photographer, is the art of photography itself, in terms of the beauty of the photography that is not journalism. In the world, it may be agreed upon, even not yet widely standardized, when discussing the word ‘Photo’ means also identical to talk about, ‘Photography’. Just how the definition further.

Me personally, try to mention in full, namely photography, which means I should be able to and know, in all the topics, the definition and scope of performance. That’s because I work using basic recording equipment that use the ‘visible light’ is RGB. I could also add a reference to another term, when there are other aspects involved such as: Concept. In the previous topics, a concept appear in areas that are not ‘visible light’ is RGB. And it’s supposed to be my assignment, all must be defined. But again, the most basic thing: an Agreements. Defining all the words and intent necessary to have an agreement. Photography of the ‘fine art’ whether it will be called the Photo-Art or Art Photos?

In essence, for the artists, fine art, photography use is not for an journalistic recording. They do not want to use the codification definisian strict in technical photography. In the basic performance photography, reality (factual) actually happened, focus, detail, normality in the study of light meter, and so forth, are not preferred by artists. Stiffness standard definition photography, complicating the of artistic space. Factual journalism in the current study, to be unattractive. In the study of journalism they could not ‘imagine’ and ‘dreams’ for an employment of visual art image. But back again: from the point where, (from the point of what we saw) an photographic work to be built? (in the schematic / diagram projection12, or 3).

Which should be established is how to choose words are defined: Photography, Photography-Fine Art, Photo-Art, or something else? I always mention: Photo / Photo / Photography / Photography-first, in all the words that will be involved, instead: Art, the first. That’s because I was standing beside scientific photography. It could be someone else called me a photographer, or an artist of photography, all it will develop further. I use the scientific definition of photography for my own photographic work. This means that subjectivity in the work to be value added. Is it an artistic subjectivity? I am not familiar with the art of other people mean. Art, for me photography is the result of a process that comes as a blessing in abundance: for myself, or give benefit to others. And it’s subjective.

Fine Art, defined meaning: the fine arts. that fine-art of Photography, has the study of the most basic definition of science into two words. Fine art, until now synonymous in the visual art of science. If that’s still true, fine-art of Photography-that is, an scientific branch / twig that arise from of photography to visual art. However, sometimes people define it in more detail from different sides of the study of language and etymology, Photography-Fine Art are: its fine art of scientific of photography (its art of photography study of science itself), so that the right could be: Fine Art Photography – in particular spelling. I’m less so the update with the writing, but I said, the writing was: Photography-Fine Art, and after learning the definition shortened to: photo-art. Photography and Art that accompany it. When we explore the science of photography and the use of it,-for any, should be subject to scientific study itself, and it’s mandatory!. Understand and define the scientific study itself, there is no price to be offered again. Conquer technical in detail, agreed definition of technology. All of it is basic that must be mastered. Photographic is photography itself.

Photography of the ‘Contemporary’ :

How is the definition of the details? An answer will be obtained from the question itself: Have we acknowledge and understand the photography itself? It conquered the technical details? ‘ve Been doing of photography in many photographing opportunities? How experience and studies we’ve done? Photography is not observable and is defined by just watching it. Photography should be done by the photographer himself, from beginning to end of each processes. Photography is very authoritarian reach. And of course: What is contemporary understanding itself. Then simply, combine all. Even the mention of itself may not appear from our own, perhaps from others.

If it is said and spelled out in a period of time, contemporary of photography is the ‘youngest’. To know the origin and genealogy, we must trace the ‘flashback’ to the science of photography itself. Many references and experience are the most important factor here. Art became an diligent study of the impact of scientific study of photography. In fact, maybe we do not need to sort them, because the art will pop up. Art will be a destination, to look at life. The use of the terms: the present (modern-trend), it is not: the current (in journalism is factual) is the most recently proposed to its definition. But I understand contemporary or even like it. Present and current, is an particular period. While the works of Contemporary hardly respond or a specific time span.

Contemporary is the way of viewing for something from the other side, and Photography is a way of seeing / other way to record it.

Contemporary can also be the way the eye sees from a different side, and Photography is the result (to understand and enjoy it) from the way of viewing (investigation) of a different.

Contemporary is the an equilibrium point that is always moving and not solid. Contemporary become way of seeing and looking, from the corners and other places. Photography became a medium and medium undertaken, acquired, and used to be different, from the habits they had done before.

Contemporary become an ‘instrument’ comparator flexible, and able to stand at a distance from that usual place. Avoid and fight-ending situations (they had done before), to break away from the habit that has always been there, ever done continuously, making an / something ‘unique self’ of a: uniformity. Photography of Contemporary, become a balancing point and so reversing an steady appreciation and feasibility.

Photography of Contemporary, is not tied to an establishment of photography in general. Recent-and Present, can also be confounded by the presence of Investigation, Appreciation, and Proportion-specific knowledge, the other really. Contemporary to the contents and the proportion of the other, could be the latest and also the present, in the span of time, or period. Photography of Contemporary, to ‘only’ designation for the defining period of time, but the definition of the content and the proportion is an new spirit and boundless.

Photography of Contemporary, become an way of photographing, be something, from a really different, other than the usual, and putting the proportion for / to a certain time frame. Range time is understood as a destination: ‘A While’. ‘One time’ people are always photographing landscape in a balanced horizontal format, become an 360-degree vertical landscape. Adding other aspect of the content of the study that the most rare. Timeline – ‘A While’, become instead an period of time, but it become an way and act ‘when / in the works’, to create something else and different. Range time will be a challenge, how to work in a well displayed and managed.

“Once we know the basic spelling and meaning of words, and on the basis of its etymology, then the mention of Photography-Fine Art and Contemporary Photography may be a bit more defined meaning. Just how do we create the definition of photography directly. All this is still in the initial definition.”

PHOTOGRAPHY, ‘THE WHITE LIGHT’, VS THE CONCEPT, ‘THE BLACK LIGHT’

Photography, do not have to have a concept? Or Photography should need the concept? The concept on photography or photography on the concept? The concept is like what, and how? Photography is like what? What is the definition of the concept, to photography? So many questions arise at this time and more critical, calling the concept to photography, in one assessment. Which is correct: Photography requires a concept, or concepts need photography? For what is the concept? And for what, Photography? Where the first initial, concept or photography? Where it comes from, The concept? And where it comes from, Photography? Just look at it: is a basic formula Projection!

In the photography is more appropriately called: Proportion of Contents, which must be defined, and the The concept, sensitivity (psychophysics) – Visual Perception, Intuition-defined further. Knowledge can describe (in invisiblelight / electromagnetic spectrum) related, and can be calculated. A thin boundaries, as explained in a simple projection scheme.

Photography, almost said never knew the definition of ‘concept design’ or ‘concepts of perception’, even ‘concept art-form’ though-because ‘pure photography’ does not know the composition, manipulate, reorder, to create a moment,-though unfortunately, photography can not ‘choose their own’, a natural moment, which people often mention the wisdom factor. Photography and cameras will be ‘greedy’ without compromise, projecting anything.

Photography can be completely silent, not saying anything, and dumb, blind, meaningless, indiscriminately. All will be projected, and will be recorded, because photography is the projection of the spectrum of light / electromagnetic. The shape and appearance of photography as what to be produced and presented? And what is underlying these shots? How to projected? Do be printed to a specific media, or is projected to return it? (via the monitor, projector, or other).

Photography, derived from: ‘Seeing the object / moment’, and the The concept, comes from within: ‘brain / memory / vision’. Photography, from the visible light spectrum, while the The concept, (which is actually the definition of an investigation of knowledge) derived from definisiinvisible light-after image (invisible light). Which do you want to choose to be shown? Choosing a challenge because of the shape, or which are attractive?

People understand a The concept as an idea, experience, vision, and ‘inspiration’-so very precious and hard to define. However, the keyword all, comes from our brain, is not it? In the brain, there is no visible light that RGB, but invisible light (electromagnetic spectrum) that our eyes can not define it. What our brains generate? How is the performance of brain function?

How about an ‘interest’? Subjectivity? Perspective? In the Photography can be defined in terms of: Point of View (angle-DOF), Objectivity (point of focus / view / interest), and Proportion (Projected). All of this is like the story of ‘the white light’ against ‘world of darkness’ in particular fiction. But it is a process of conquest resistance technical and much of the code defines the electromagnetic spectrum between visible light accurately and invisible light-afterimage.

Photography: Be realistic about, art: takes on a imaginative, visual works: to be enjoyed, as well as most other basic things: object / moment: see a detailed, sound: Hear its harmony, writing: to be read and translated.

Which one should we chosen and using? Study raised, is located from the position we see it, feel, and define it. Obviously we want to get more appreciation and successfully convey all, the flow of information and certain communications. Initial failure is when we allow photography remained silent, and did not say anything, because it does not defined in detail. Being blind without meaning, because it does not defines its knowledge assessment in the photo. And finally there are only two possibilities: the photographs would be ‘dead’, or the photographs will survive on its own, taking a wider role for boundless energy, and it may, in use by someone else.

Defines Photography – That Contains Knowledge and Science

In assessing a photo, or just observing as reference, often unwittingly disturbed our appreciation to things /’world’ -something new, and we have never seen / know, before. Positive value is, makes us want to get there, to that place, to admire, to make our own photographic work. However, there are more negative values (light invisible portion wider than visible light), and it will affect the appreciation of many things such as: excessive amazed that appreciation we often become disproportionate. Assume the new / photograph of another person, is, worth more than this (moment) that we see everyday, or photos that we have.

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This unconscious, making the value of factual photography becomes increasingly can not be identified. This challenge is great for photographers to gain more and more diverse objects and moments. Improving the quality of experience ‘flight hours’ and expand the reach of the location of ‘hunting’. This is a mandatory keyword.

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Look in detail, how we work with photography, a visible light that uses 10% of the total electromagnetic spectrum. It may even be less than 10% accuracy RGB light that contains the code, that was very little percentage. A reality (the white light) within + / -10% RGB! And the rest is the ‘the world of darkness’ that invisible light, that can not be seen by the human eye.

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Reality, the positive image (there are / same), both clearly understood or meanings behind words, to translation, or defining it further. However, in photography, positive image is also derived and originated from a negative image, and the image an everything can be kept projected, each turned, filtered, distorted, even hidden. technically, all of it must be understood of the basic performance of the projection itself. The reality is an the resulting image on the recording process, the projected performance of the formula, and ‘transferring’ to a specific medium. Obtained photographic reality, because of the presence of photographers there, and engagement factors: the object, the eye, the camera, the brain / memory, take a direct role, when it all happened.

Proportions, means procedures comparison (ratio) that contains the value of accuracy. Processing the proportion of lighting, the use of recording equipment, its definition, to printing in a medium. More The obvious, these proportions are built and shaped by reality. The situation is actually to be conveyed then, that the more detail to be defined everything. The proportion of the lighting, the proportion of the reality on the event, and all involved in the moment (the object in the photo), and the proportion of a specific format display (re / interpretation), is the most widely discussed and reviewed constantly. Proportion, is not being used to provoke an object / moments involved. Proportion in photography early in technical terkonsep: under-normal-over in accuracy lightmeter / colormetering to interpretation. Farcical on an image results, closely related to the performance of the fair an eye to see it.

Perspective (Angle), the conscious technical, involving how to see, we / photographer in capturing the moment decisions, whereas the non-technical, will involve aspects of ‘how to assess / way of viewing’ in many ways, such as: ‘joy ‘on the photographers themselves, the object / subject, up to others. Perspective can be examined from the angle, the view finder, point of interest, norms, a certain aesthetic, and it could also mean the involvement of many of the ‘code of ethics’, that talked about a ‘perspective’ to the ethical philosophy’s particular norm. 360-degree spin in the area is a technical point of view that can be covered, and choose from a certain degree necessary to maintain the level of boredom eye to see. Point of view also involves aspects: ‘where we stand and to see’ objectively. That is, these projections could be: ‘what we enjoy and view / appreciate’, subjectively.

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Horizontal Projection:

Where did it come light, and what is light?
How light come from? Where light is lost and gone?

How do I catch light? For what (why) the light was captured (frozen)?
If light is captured, how to release the (using) back?

If there is visible light, there must be invisible light,
If visible light is ‘white light’, the invisible light is ‘black light’.

A projections of nature (‘white light’) will be enjoyed through the eyes,
The impact projections and other projections as well (‘black light’) to the memory of our brain.

There is a natural projections can not be seen directly by the eye (energy).
However, the natural projections can be felt, even when the eyes are closed.

If our eyes view spectrum of light directly (10%), the brain-memory memory are influenced other electromagnetic spectrum (90%): in the calculation of a certain degree of temperature, and frequency / sound.

If the eye sees a visual projections, identified the RGB,
then we talk about brain-memory visual perception, the identification of non-RGB.

10% we obtain the projections visible light (RGB) in photography,
it will be projected 90% invible light (non-RGB) is not photography.

If we allow, silence, and remained mute value of 90% of invisible light, then the value of our photography factual contain only 10% appreciation.

But previously, from the beginning we have to agree to understand together, that photography is a technical standard ‘which was’ first,-before developing further. One photo / image / picture, and the only one produced from recording all the basic tools of photography. In: ‘one-click’, – in a press release the decision process, the comparison of many and strong lighting, for one frame. Recording with visible light (RGB), using either film or digital. Then further processed to be used as a presentation of a specific of the photographic work.

To date, we have not been able to talk about dual-lens camera technology (stereoscopy-camera), infra-red camera / ultra-violet, gamma, betta, and so on, that still not popular. Here, too, did not discuss a photographic ‘multi-exposure’,-one frame at a lot of the lighting, was a different discussion, though lighting is also called the results, but was technical or other basic videography. Not in the discussion of photography ‘sandwich’ or montage. Most easily see was all is the anatomy of our eyes, and make a single recording in focus ‘a blinking’. Maybe, if the camera-stereoscopy, already popular produced and used, it may would more developed discussion of photography, because the recording performance approaching the performance of the human eye.

This is not a philosophy, but a review the energy law in photography, in the electromagnetic spectrum associated therein, and photography that valuable factual, straightforward, not contrived, not reinvented again (added / digital imaging), not manipulated, especially plunging value of factual that contains the code of knowledge inside. Photography is the result of the performance of + / -10% that RGB visible light. Using RGB to shoot that uses a single lens. Defining the acquisition value of accuracy and the contents therein, obtained in ‘the blink’.

Energy in visible light,-RGB / ‘the white light’, have the effect of continuous linearly related (global / in circulation 360 degrees) with a ‘black light’ – invisible light / electromagnetic radiation / induction (such as infrared camera) and so on, that affected the physical or non-physical. And coverage of invisible light up to + / – 90% of the total electromagnetic spectrum-almost 90% impact to non-physical. From the photographs, that first: ‘blind’ and ‘dumb’, being complex communication and becomes an appreciation / interpretation / vision. Blind and dumb, is the definition of the content of the impact of photography in + / -90% of invisible light or ‘black light’. And all of that happens, when we managed to conquer technical photography.

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Above schemes, to make it easier the way to see, how the photographic process occurs. Why photography is ‘the white light’, that is only visible energy: + / -10% only. Where the projection formula begins, and related anything in it. Linkage of human anatomy: the eye and the brain-memory and object, has a complex, when we conscious that there are: + / -90% of invisible light, ‘black light’, which can not be identified by our eyes, by recording tool that we use , that dumb, and so on. Such schemes may also make it easier to interpret: from the point where we want to put a proportion-fill our photography, and projected impact is going to happen next. Creating definitions and calculations in the effects of physical and non-physical. All of this for sure, because they refer to the energy formula of the universe, and all of it: Real.

Photography, contains: the investigation of recording:

The key to define a content, in photography, is derived from an investigation, in the recording and the moment that happens. The term to ‘freeze the moment’ is the uniqueness of the visual system of photography. Videography cameras capturing the moment, it would be easy to define, because the contents inside more fully, including the definition of the sound. That means, videography not only use + / -10% visible light only. Video produces and uses energy spectrum elektromganetis percentage whose scope is wider and wider. However, in photography, choosing a moment, just a photo frame, is always going to be the focus of attention, focus, source of conversation, and appreciation of,-the most complicated, only + / -10% visible light that is encoded in the formula RGB.

Major problems in the photography is interesting: why the moment was chosen to be frozen? Center of attention means a source of focus: information, science and of knowledge. The key to initial definition can be a way: “Take a closer look and more details, Looked longer to understand. Defining the details of the shooting that contain factual information, describe of knowledge, and develop there will be many new things. This formula can also develop into: to see wider, faster technical decisions, and make the shooting.”

Knowledge, or science, is the most difficult, because here involves defining, investigating, and experience, which will be a memory / vision and deep appreciation. But it becomes very easy when we understand that the actual science / experience / memory / vision is available from the moment the recording itself-basically. Much information can be obtained by: ‘projections’, from within and from outside the recording itself. It’s all about ‘the dumb’ and ‘the blind’ in one frame. If we know, tell the information, if not know yet, find sources of information on the surrounding (environment), until a solid reference. Information is often the case when we are actually deeper: ‘view projections’ of detail the results of the recording. How? Try defining of detail is technically correct to first through a process of ‘editing’ (developing process) careful, and do not be hasty. Locking perception and content, that photography is a technical and knowledge, and in his presence was made like that, it is a fairly easy process. We do not need to look beyond definitions contents fabricated and exaggerated without any intersection. Just 3 basic keyword content of the image, ‘search engine’ internet will give you lots of information and further references.

Likewise with: Take a closer look and more details. Getting closer we record the object, the more detail, and the broader scope of information. Details for greater is built from the observation that very quickly. Linking objects are about to be recorded, because of the observation that for a moment, the preparation, and purpose. The use of lenses with a suitable proportion, becomes a key determinant. Getting closer we can see, the more we earn. Presenting the moment because it was our presence there, and of course, as we get closer, the details will appear as well, even by itself appears eventually. Horizontal projection, is the most close to the performance of the optics of the eye. Perhaps, at first we did not know what record it, but longer observations, and decide in the calculation of ‘prediction’ is the process of synchronization events technical and event / moment / object.

Looked longer to understand it, is a process of observation and calculate everything-with continuous and very fast to get captured. Why and what is interesting, is a ‘visual interference’ in the eye that had to be translated. The decision holding the camera to take pictures, because of visual interference earlier. The decision to record the moment, is the act of releasing ‘visual interference’ is. Once we later to decide, which happens only: ‘oooppsss …’, the moment has passed …, – “should I take it, was”, and so on …, like speech: Henri Cartirer-Bresson, about: Desicive Moment famous. This provoked a lot of photographers to want to repeat the behavior, and get the missing moment, or at least has become an experience. Looking because of interest in something, to understand for those moments, and how to decide, is a relatively very fast. Right proportions, will describe the knowledge to all of that.

The big question is: Why do we choose to record in one picture / one frame? Why do we ‘photography’, (and not choose video / or others), and always carry a camera to Everywhere? Projection is the basic definition of any content and visual moments, which happen all the time, a ‘interference: visual and vision’ in memory of our brain. Is it because of: Interested (disturbing visual / vision) is? Want to keep it? Want to relive? Admire it? Want to ‘get there’ and have it? Because just like and just a fad? Just for the day-to-day work? Or, is there another reason? Building a: Concept? The reason ‘because of Art’???

To The Owner of The Light and Rainbows, i do beLieve

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“Hi”, there came a voice of someone greeting me. However, I can not find a face, the owner of that voice, it’s because I’m blind, but I can see many colors. The colors that tell me everything. Colors will voice yearning, colors of peace.

“Hey …, I’m here, right in front of you,” her voice was echoing, in the recesses of reached into my soul. Melodious voice, but I still do not see the outline of her face, which has the voice. I just see the colors are linked to the fragrant morning dew sparkling like jewels.

What I views only the colors of leaves on the trees, which danced blown by the wind, and occasionally seen a few strands of her petals fall. Like the sound of little bells chiming, melodious and echoing. The colors are bright red chap to me. The colors purple mysteries summed up inside the shadow of the trees.

“What’s the matter with you? Why not answer greetings from me? Why not look at me, to see me here, and greeted me in Salam?”. The same voice heard again, and it seems increasingly felt closer to me. Sound color looks more purple increasingly shinning. The wind blows from the rainbow hung, leaped running, behind the clouds.

I also can not be answered, because I was dumb and could not say a word. I could only whistle whispered, I could only whistle softly, talk to the wind which was turning blue, and kissed the yellowish color in the morning, accompanied by birds singing. How was the way I answered the call was that? Who was she? What color, should I give for her? My mouth could only breathe the spirit, to the serene souls, with the bright colors. How do I know what to say, when my tongue is made from the fire of romance that is always burning? Its just light up, when it comes to the dark eerie night. And it’s not for you, not for now, O my dear who have a purple color of in. It’s still early morning, and the rainbow in there, is still much flashing their beauty.

My eyes only see a rainbow emerging from the clouds and a grove of trees. My tongue and my mouth is like a sword, that ready to cleave coldness of walls of the heart, that froze. How should I greet you, the color of the soul, the owner of the purple?

“Hi … see, and look at me, hug me, touch me, take your hands on me, and reach me flying into your rainbows. A melodious voice that now surround whispered, blinding me, increasingly color of this restlessness, flushed. “I’m here for you, can I embraced, and rely on your shoulder?”. Increasingly voice it looks to be gray, become clouded, which contains water droplets of rain, in the morning that still warm.

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And I was stunned, remained silent could not say, and did not see anyone here. Only the sound of the melodious wind, heard the tones of romance, which brings news from across the land, visible reddish pink color. Step back in and whispered words to the dragonflies and butterflies flying around me. They just smiled coquettishly, while flapping their wings hill, “Fly, fly with us, wherever you want”. Fly? Whither? I do not have wings. Even the hand has also tired, seemed to not want to move. “Fly! fly to the colors of the mainland across the sea. Fly with memories of past colors’s, where the rainbow begins”. Melodious tinkling sound twigs of treesthe more boisterous heard, and the small the rainbow bouncing between the leaves and branches.

How I can fly, with too lot of burden on my shoulder? These legs are feels iffy and feeble, moreover to stepping a journey, and jump flying into the clouds? This Legs which badly scratched on the ride in rough and steep rocky. But who are you the owner of that voice? The smell of your body like seaweed covered with fragrant flowers of the seven continents. The color is greenish purple scented deep blue like the ocean. Your voice is like a thousand years of yearning melodic, and as no stranger to me. Glowing red and pink color in shades of gray partly clouds.

Forgive me sincerely. Please forgive me, who was blind and did not greeting to you. I only see the color of which melodious voice, and smell your color in the ocean. Forgive me my dear, I hope someday, I would to take you to fly back, to the clouds that have the rainbow. Please, stay here, do not be bored, though I fell silent without a word, and let the rainbow will show the color and light to me. So that one day, I will see, and recognize you again.

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I’m Lost in Paradise

Stunned my memory, when exactly the first time I came to this place. More than ten years elapsed. And now, perhaps thousands, of my footprints ever there, made an impression, and drift waves swept along the coastal sands. With friends, family, and beloved first, we often take time, enjoy the warmth of the sun, until the evening came over. As though this heart stalled, hearing the waves that seemed to always calling me. As though binding my legs, so I could not get to go anywhere else. The sand and the waves, as if giving a touch of a soothing massage, spoil my feet were tired. Rustle of the wind, as if caressing my head, and emptied all that burdensome, and blew, and took away all its problems.

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Lay down for a moment, my body is weary, to the fevered sand. Rested for a moment, my legs, which began weakly. Dreaming for a moment, a girl to accompany this long journey. Where the wind will blow? May I go hovering with her and landed in the sand, the ocean in another land? Perhaps, unlike the warm sun there, but may I feel her touch? Do I should be able reveals the mystery of it first? This dream it still feels concentrated, and I had to go to the other, and see it from a distance.

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Among the clouds, the sand, the wind, the waves, and the sun in Kuta Beach, Bali. Will these legs, strong to step return, to take a journey that is still far? Will my arms and shoulders, still strongly shore up the load? Growing increasingly felt and folded? Viewed This between black clouds, the sun peeked, and the wind had become stronger in. Is it a sign of impending rainfall? Lay down mind, where to go? Is there an expectation that there behind the clouds? Am I lost? Is this is how the natural should give her affection? Is this a natural and equal blend of? Such as how the expression face of that light? Many do not I understand between the dark there, but I want to know. I want to go, because I have to go.

 

Photography is an Accelerated Optical of Eyes

Acceleration of our eyes are incredible! but remains bounded. But the optics, the human eye functioning for visual purposes, these are all related to the factors, namely: the Power of Light. Light and eyes, are two elements that one and can not be separated. Light, has a solid role, in the unity of many color spectrum. Here, I am not talking about the re-definition of what light is, or how light is used for photography. I tried to make it trigonometry schemes, below. All light is needed in the process of photography, and has a degree measure of the strength of each gradation (in color metering / temperature). When there’s no light, meaning neither will happen: the photographic process. eyes have a significant ability to enter an average speed of light through the retina-pupil, and that there is a limit. Likewise in the photography itself. Photography only pick one moment, in one right time, in order to get one detailed recording angle and intact. Only one of the best just like in the blink of an eye!

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Eyes velocity, there are limits, though very flexible. Ratio comparison, located between the distance and speed of the object should be recorded. When the object is too close to the eyes, and there was a relatively rapid movement, eyes can not see the object appropriately. Or when the object is too close, it will be out of focus. Three main factors are: Distance, Speed as well as Strength of light‘, become basic technical physical ability of the eye – optics and normal recording tool. And it’s technically required proper synchronization.

Basic of Prjection Factors

3 Basic Formulation in comparisons Eye and the Mind / Brain Memory:

( On Colors and VisionTeory)

Image Projection:

Visual Preseption / Intromission Theory :

From: Object – Projection – Image.

From: Brain – Projection – Result.

In this system the basic theory of the recording instrument performance with eyes synchronization, which uses light and visible light spectrum, direct (physical) / and a selection of tools.

Visual perception is the ability to interpret the surrounding environment with the processing of the information contained in visible light. The resulting perception is also known as a vision, or vision (adjectival form: visual, optical, or ocular).

1. Light become a material factor basic recording. If there is no light factor, there will be no recording process. There is no direct projection images, in comparison to normal eyes. Defining technical lighting, become a reference to obtain the basic theory of ‘color vision’. Performance of the reference eyes gain recorded all the basic theory.

1. Memory factors in brain recording a differentiating factor, because the spectrum is a mathematical representation of the reset value (color details, dimensions, etc.) is stored directly into the memory of the recording. The memory has to be raised again to define the recording results. Memory in the brain, a ‘light inverter’ back-projected from the inside, to get a real object singkron comparison accuracy.

2. Factor Range Distance. Detail object to be recorded, it is associated with a range of object distances with the eye. The range of distance is become basic reference for selecting the range of dimensions of focus and selection of the appropriate optics. In this area also determines the quality of the preliminary calculations needed strong light.

2. The ratio of distance factor, recalculated, to achieve the format / medium most appropriate (eg, the ratio of the length x width) in the eyes of the optimization viewpoint. This became the basis of a ratio of the proportion of preferred-format photographic results, which will be displayed to make the presence of a particular representation.

Depth of Filed

Depth of Preception

3. Speed factor. How eyes catching objects, located at one focus of particular interest, in the span of a varied and very fast. A comparison of the exact value of the composition to be calculated, to obtain choice: how long recording time to obtain how strong / big light is needed.

3. Precision factor. To bring the focus lies ‘point of interesting’ to the main object is the result of photography. Here, the essence of the ‘quantity’ which was originally a technical option in recording devices, the essence of the ‘quality / accuracy’ will be the delivery method of choice was the result of technical options.

“I tried to define the projection of factors: the formula triangle, the photographic reciprocal formula, and it’s what I call become: Three Factors Toggle (inverter), more span the ‘hierarchy in psychophysics. Shuttling back and forth due to the three factors are interrelated and continuous cross.”

An electromagnetic wave consists of two waves of oscillating electric and magnetic fields. An electromagnetic wave running in the direction perpendicular to the direction of oscillation of the two fields. In the 19th century, James Clerk Maxwell showed that, in a vacuum, electric and magnetic fields satisfy the wave equation both with speed equal to the speed of light. From this emerged the idea that light is an electromagnetic wave. Electromagnetic waves can have different frequencies (and thus wavelengths), giving rise to various types of radiation such as radio waves, microwaves, infrared, visible light (visible light), ultraviolet and X-rays. Contained in the electromagnetic spectrum and radiation theory. 

Image Projection Basic Formula

Scheme synergy projections, to show the scope of the performance of the eye and the camera. It shows the visible light emitted and the scope (RGB) is very small which created a ‘visual disturbance’, and RGB systems must know more details. Photography in general agreement, is a system of recording light (RGB) in the human eye optical synergy. Define a scheme to facilitate the discussion and talk in the basic areas of photography to projection effects will occur, either study physical and non-physical.

The scheme was to demonstrate and simplify how mensikapi process of acquiring a technical moment proportional to the fullest. Simplify the process of editing of the camera to the desired result. In the above scheme can also be obtained lines of visual effects to visual perception, and so forth.

This scheme is also to facilitate defining the content and proportion of a work of photography. Depth and extent to be defined and the effect it will have a perception-the perception of others. So that it can be understood that photography in general is about energy-related technical pendefinian closely and directly with human life.

Image Projection Basic Formula

“Until my data show, still under development, and continuous research, related to the photographic work. Description and application globally I’ve been able to use it for the presentation of photographic works quite complete. “

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ONE blink of an eye:

An interesting thing to me in the photographic process is: ‘the blink of an eye’. This means that, in a blink, your eyes do not get input / projections of light and dark. When we decided to do the recording, the ‘one-click’, we are completely blind for a moment to record / freeze the a particular moment, and continue to see / record the next moment. That means, when we are freeze the / record and get a moment / object that happens, our eyes have never seen / witnessed firsthand. One blink, needed to save: record object / moment / memory. ‘One precious’, which is derived from interest / intentional focusing on a single point or a random extensively, and then frozen / recorded by the ‘one blink’, by not having to look directly / blind shortly. Then, if possible, without a blink, we can record and store the object / moment seen / projected?

In the process and obtain ‘one blink’ is, then a big factor, how a photographic results will be seen and represented. And it’s very complex. The dominance of only one particular factor (from the formula: 3 projection basis), will have great impact on the delivery of the final result. ‘One precious’ from the ‘one blink’, which must be obtained from the physical relationship optics of the eye and vision brain memory, it will be a very personal thing, but scientific (afterimage theory?)

One blink of the eye, the ‘blind’ and not visible. There is no concept of there, because we did not see it and just wanted to see the results afterwards. All that is certain about “recording of detail: whether liking?”. This is where all of the new problems will arise:

1. Factors: Light >< Memory.

2. Factors: Distance range >< Distance Ratio.

3. Factors: Speed >< Precision

Linkages three factors influence each other. Light factor, could be influenced by the speed, or precision. Precision factor, influenced by distance ranges, crossed continuous, and so on.

Let us return again to the optics of the eye we (humans). Here, it is clear that we have a certain range of dimensions are calculated – mapped. All based on the average angular clairvoyance. Our eyes do not have a format that contains: its length and width of a certain angle. Not even in the calculation of 100% round / circle or oval particular. Then where it comes from a ‘rule’ that the composition format originated? Why was the composition of the 2/3 of the rectangle or square, or something else? Should be horizontal or vertical? Where are its origins?